Skip to main content

Log In


 

 

Esoteric Acupuncture

The spiritual Feng Shui of mind and body. The geomantic arts of east and west combine with the technology of acupuncture, qi gong and visualization to help you find renewal and effect change.

Special Events

Esoteric Chakra Retreats

Halloween Special

Torrance Business Expo 2008

Laura M. Sedgwick, M.S.,L.Ac.

California Licensed Acupuncturist and Herbologist

Skip Navigation LinksHome > Esoteric Acupuncture > Yellow Bell

Yellow Bell

The 12 Lu, Pythagoras, and the Song of the Phoenix.

Ling Lun selected bamboo pipes for the Yellow Emperor of the Xia Dynasty which became the standard for music as they perfectly matched the Song of the Phoenix. All emperors who followed took great care to balance and harmonize the essence of their empire by adjusting their standard to elaborate and enhance the Yellow Bell's beauty. The Lu are the 12 pitches formed by the Pythagorean method which builds the notes using the ratio 3 to 2. From these 12 tones, Pentatonic Modes are selected by emperors and music theorists alike.


Huang Zhong (Yellow Bell), Da Cu (Red), Gu Xian (Cyan), Zhong Lu (Green), Lin Zhong (Orange), Nan Lu (Blue), Ying Zhong (Indigo), Qing Huang Zhong (Violet)

The ratios of the musical notes represent the Music of the Spheres, the harmonic proportions of the movements of the heavenly bodies which is reflected in the depictions of the chakras of the body, most notably the The Ajna Center or Third Eye. Whereas science is still gaining an understanding of Music and it's use in healing, the field of Cymatics shows promising insight. In acupuncture treatment, tuning forks are used to vibrate the needles, directly transmitting the resonance to the Qi. The qualities of the Wu Xing, the 5 Elements, as related to the pitches below, are used to harmonize the Qi and effect positive change.

Chinese and Western Pitch Ratios Compared » C. C. Evans

Western

 

Chinese

Pitch

Pythagoras

Zarlino

SAT

Note Name

Pitch Name (with
Huang Zhong as gong)

Unison (doh)

1:1

1:1

1:1

Huang Zhong

Gong (earth)

Pythagorean Limma or Minor Diatonic Semitone (doh#)

256:243

16:15

2187:2048

Da Lu

 

Major Whole Tone (re)

9:8

9:8

9:8

Da Cu

Shang (metal)

Minor Third (re#)

288:243

6:5

19683:16384

Jia Zhong

 

Major Third(mi)

81:64

5:4

81:64

Gu Xian

Jue 
(wood)

Perfect Fourth (fa)

4:3

4:3

177147:131072

Zhong Lu

qingjue

Tritone (fa#)

1024:729

64:45

729:512

Rui Bin

bianzhi

Perfect Fifth (sol)

3:2

3:2

3:2

Lin Zhong

Zhi
(fire)

Minor Sixth (sol#)

768:486

8:5

6561:4096

Yi Ze

 

Major Sixth (la)

27:16

5:3

27:16

Nan Lu

Yu (water)

Minor Seventh (la#)

16:9

16:9

59049:32768

Wu Yi

run

Major Seventh (ti)

243:128

15:8

243:128

Ying Zhong

biangong

Octave (doh1)

2:1

2:1

531441:262144

Qing Huang Zhong

qinggong